There’s no better way to capture that than with a wide angle lens such as a 35mm. They aim to tell these as personally as possible so that the viewer develops a connection with the subject, much like with movie and book characters. Documentary Photographyĭocumentary photographers (I’m talking stills photographers here for the most part) tell visual stories about people and places. When you combine this perspective with important world events, it can be powerful and moving. It’s a perspective that requires the photographer to be close up in the action, making for very personal images that put the viewer right there in the scene. The 35mm perspective is great for photojournalism for similar reasons that it works so well for street photography. Zoom lenses are frequently used by photojournalists but for when the action is close, 35mm lenses have been used by many photographers. With a 35mm prime lens and a compact camera body, you’re not weighed down by anything. Big and heavy gear is a burden when doing street photography it makes it really obvious when you go to take a photo, your back and shoulders start hurting from the weight of the gear, and you’re less mobile. I tried shooting street photography with a 24-70mm zoom lens back when I was getting into photography and I won’t be doing that again other than for shits and giggles. It can take some getting used to if you’ve only shot with longer lenses, but it’s really not that uncomfortable getting close to people once you get used to it and the perspective you get is worth whatever discomfort you may feel.Īnother reason why 35mm lenses work so well for street photography is that they’re relatively compact and lightweight. But you don’t have to get so close that you’re literally invading peoples’ personal space. In order to fill the frame with your subjects with a 35mm lens, you do have to get close. I have nothing against that style but it’s not really my cup of tea for my own work. With longer lenses, you get compression, which makes for a perspective of looking through a telescope or a sniper rifle. 35mm is a pretty close angle of view to what the human eye sees. I like street photos shot with a wider angle lens because it’s more intimate and real. The most important thing to me in a lens for street photography is probably the perspective it provides. This focal length gives you a pretty wide perspective without a lot of distortion. It doesn’t get any better than 35mm for street photography in my opinion. Rounded nine-blade diaphragm contributes to a pleasing bokeh quality.The 35mm focal length is excellent for street photography.Configurable Control Ring can be used to adjust a variety of exposure settings, including aperture, ISO, and exposure compensation.STM stepping motor offers fast, quiet, smooth, and accurate autofocus performance that is ideal for video recording as well as still shooting.Macro design benefits working with close-up subjects and provides a 1:2 maximum magnification along with a minimum focusing distance of 6.7″.An Optical Image Stabilizer helps to minimize the appearance of camera shake by up to five stops to better enable working in low-light conditions and with slower shutter speeds.Super Spectra coating has been applied to individual elements to minimize ghosting and flare for greater contrast and color neutrality when working in strong lighting conditions.Bright f/1.8 maximum aperture suits working in difficult lighting conditions and also offers increased control over depth of field.Wide-angle prime is designed for use with full-frame Canon RF-mount mirrorless digital cameras.Additionally, a configurable Control Ring lets you adjust exposure settings, including ISO, aperture, and exposure compensation, from the lens itself. Also, an STM motor affords impressively quiet and smooth autofocus performance and full-time manual focus override. Complementing this is a five stop-effective image stabilization, which minimizes the appearance of camera shake for sharper handheld shooting. The bright f/1.8 maximum aperture offers increased control over depth of field and also suits working in a variety of lighting conditions. Capable of focusing down to 6.7″ at half life-size, this lens is ideal for photographing everything from close-ups of plants to street scenes and landscapes. An advanced optical design is benefitted by a Super Spectra coating, which helps to control flare and ghosting for greater contrast and color accuracy when working in bright or backlit conditions. Compact, lightweight, and close-focusing, the RF 35mm f/1.8 IS Macro STM from Canon is a unique wide-angle prime mixing the versatility of a general wide lens with the specialty of a 1:2 macro optic.
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